Please check the individual product pages for video walkthroughs. This bundle will change in size and price as we add more Omnisphere products to this store.
IMPORTANT: This product requires a licensed copy of Omnisphere 2.8.
Omnisphere Niebla is a collection of 120 all new cinematic patches for Spectrasonics' Omnisphere 2.8 synthesizer. It includes 114 new sound sources recorded from electric guitars and which have been abused and mangled to make them grimy, dirty and dripping with character. It only uses these new sound sources and does not recycle the stock ones in Omnisphere or any other set.
Much like its spiritual predecessor, Omnisphere Altura, Niebla is a great toolkit for scoring suspense, horror and just about any genre that requires a score that conveys psychological tension. This soundset has been inspired by the work of composers like Charlie Clouser, Mark Korven, John Murphy and the Newton Brothers.
Omnisphere Niebla makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
MOBILIS ULTIMATE is a Kontakt instrument envisioned with speed and power in mind. This instrument is about having a large number of simple but carefully crafted percussion loops and single hits that:
• have been specifically designed to be stackable for maximum versatility • can be accessed instantly without interrupting your creative workflow • and have been made extremely dynamic to adapt to almost any type of cinematic composition.
** If you have purchased one or more MOBILIS legacy products and would like to upgrade to MOBILIS ULTIMATE, please contact us.
FEATURES
• 2,912 sound files at 24 bit / 48 kHz resolution in a compact 4.1 GB footprint • 1,456 highly dynamic tempo-synced loops and 1,456 single hits • Single hit versions of all the loops are easily accessible via the mod wheel (CC1), to be used as endings or as building blocks to create your own rhythms in your DAW • All the sounds in a module can be accessed with a 61-key (or larger) MIDI controller without touching the GUI or shifting octaves, by keyswitching sound banks • Clean GUI with quick visual confirmation of which Bank and which type of sound (loops or single hits) are currently active
REQUIREMENTS
• Kontakt 7.7.2 or Kontakt 7 Player • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 4.1 GB of free hard drive space
IMPORTANT: This product requires the full version of Kontakt 6.8 or higher. It will not work with Kontakt Player.
DOMUS is a loop-based percussion Kontakt instrument created using sounds recorded with home appliances and household items, to bring a different flavour to your cinematic compositions. They are particularly suited for action, crime drama and tension scoring. Like our MOBILIS series, this instrument is about having many simple but carefully crafted percussion loops and single hits that:
• have been specifically designed to be stackable for maximum versatility • can be accessed instantly without interrupting your creative workflow • and have been made extremely dynamic to adapt to almost any type of cinematic composition.
FEATURES
• 416 sound files at 24 bit / 48 kHz resolution in a compact 570 MB footprint • Highly dynamic tempo-synced loops and single hits • Single hit versions of all the loops are easily accessible via the mod wheel (CC1), to be used as endings or as building blocks to create your own rhythms in your DAW • All sounds can be accessed with a 61-key (or larger) MIDI controller without touching the GUI or shifting octaves, by keyswitching sound banks • Clean GUI with quick visual confirmation of which Bank and which type of sound (loops or single hits) are currently active • All WAV files are included, so you can use them in your DAW or other samplers
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.8 or higher (DOMUSwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 570 MB of free hard drive space
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Fjall is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It includes 186 new sound sources, from real instrument recordings that have been processed extensively to make them fresh and interesting. It only uses these new sound sources and does not recycle the stock ones in Omnisphere or any other set.
Omnisphere Fjall is ideal for scoring thrillers, drama, action and horror projects. The musical influences for this soundset draw from the work of a large array of composers, which include Tyler Bates, Junkie XL, John Carpenter, Henry Jackman and Brian Tyler, amongst many others.
Many patches in Omnisphere Fjall use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Fjall also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
IMPORTANT: This product requires the full version of Kontakt 6.7.1 or higher. It will not work with Kontakt Player.
BODHI is a Kontakt instrument designed for speed, flexibility, and ease of use. BODHI is mainly based on the Quartzophone, a tuned percussion instrument made of crystal cylinders, which produce a warm, mellow sound, and is ideal for creating soothing and reflective zen moods. However, it also includes two sets of chromatic windchimes, and it allows a large number of combinations of its 9 sound layers.
FEATURES
• 176 sound files at 24 bit / 48 kHz resolution in a compact 960 MB footprint • 3 sampled pitched percussion instruments (Quartzophone, high wind chimes, low wind chimes) • Simultaneously playable short notes and pads in each instrument module • 10 highly curated presets to serve as starting points or templates • Instrument modules can be activated or deactivated to save on voices and CPU power • All WAV files are included, so you can use them in your DAW or other samplers
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.7.1 or higher (BODHIwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 960 MB of free hard drive space
IMPORTANT: This product requires the full version of Kontakt 6.7.1 or higher. It will not work with Kontakt Player.
SHIFT is a Kontakt instrument conceived to become an indispensable part of your toolbox. It allows you to bridge different sections of a music piece seamlessly and it covers multiple genres, from tense drama to frenetic action to bone-chilling horror. It contains 320 tempo-synced transitions, all of which have been designed to be stackable and played in any key.
All the transitions in SHIFT are automatically synced to the tempo of your DAW, and every one of them can be played across a range of one and a half octaves.
FEATURES
• 320 sound files at 24 bit / 48 kHz resolution in a compact ~2 GB footprint • Highly dynamic tempo-synced and pitched transitions • All sounds can be accessed with a 61-key (or larger) MIDI controller without touching the GUI or shifting octaves • Clean and intuitive GUI • All WAV files are included, so you can use them in your DAW or other samplers
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.7.1 or higher (SHIFTwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 2 GB of free hard drive space
IMPORTANT: This product requires the full version of Kontakt 6.7.1 or higher. It will not work with Kontakt Player.
THUMP is a Kontakt instrument designed to speed up your workflows and fire up your creativity. The perfect companion to our MOBILIS instrument series, this library contains 200 carefully crafted bass loops and their corresponding single notes, all of which can be quickly used in your cinematic compositions as they are, or as references to inspire new bass lines.
FEATURES
• 400 sound files at 24 bit / 48 kHz resolution in a super compact 430 MB footprint • Highly dynamic tempo-synced loops and single notes • Single note versions of all the loops are easily accessible via the mod wheel (CC1), to be used as building blocks to create your own bass lines in your DAW • All sounds can be accessed with a 61-key (or larger) MIDI controller without touching the GUI or shifting octaves • Clean GUI with quick visual confirmation of which type of sound (loops or single hits) are currently active • All WAV files are included, so you can use them in your DAW or other samplers
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.7.1 or higher (THUMPwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 430 MB of free hard drive space
Please check the individual product pages for video walkthroughs. This bundle will change in size and price as we add more OBLIQUE products to this store.
IMPORTANT: This product requires the full version of Kontakt 6.7.1 or higher. It will not work with Kontakt Player.
OBLIQUE II is the second instrument in the OBLIQUE series. It is a damaged, twisted, brutal but incredibly expressive double bass instrument. Like the cello in OBLIQUE, this is not an instrument for creating soothing music — it's brimming with sharp edges and blunt force.
Alberto Moreno Guier is the bassist behind the tortured, obscure sounds in OBLIQUE II. His mastery of the double bass allowed us to capture powerful performances within a massive dynamic range, perfect for psychological thrillers and terrifying horror sequences.
FEATURES
• 643 sound files at 24 bit / 48 kHz resolution in a compact 2.3 GB footprint • 9 double bass articulations: Long Sul Tasto, Staccato, one whole step downwards Glissando, Glissando harmonics, Tremolo Glissando harmonics, Circular bowing, Crunches, Bartok pizzicato and body taps as percussion elements. • Clean, intuitive and fast GUI
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.7.1 or higher (OBLIQUE IIwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 2.3 GB of free hard drive space
IMPORTANT: This product requires the full version of Kontakt 6.7.1 or higher. It will not work with Kontakt Player.
CHIMAERA is a Kontakt instrument designed for speed, flexibility and ease of use. Just like the mythical creature made of the body parts of different animals, CHIMAERA is a collection of several pitched percussion instruments. However, it goes beyond just sampled instruments — it puts a formidable amount of power at the user’s fingertips, by allowing endless combinations of its 18 sound layers.
FEATURES
• 552 sound files at 16 bit / 48 kHz resolution in a compact 1.25 GB footprint • 6 sampled pitched percussion instruments (marimba, vibraphone, steel pan, hang drum, kalimba and glockenspiel) • Simultaneously playable short notes and pads in each instrument module • 30 highly curated presets to serve as starting points or templates • Instrument modules can be activated or deactivated to save on voices and CPU power • All WAV files are included, so you can use them in your DAW or other samplers
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.7.1 or higher (CHIMAERAwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 1.3 GB of free hard drive space
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Virtaus is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It comes with 149 new sound sources, from real instrument recordings that have been processed extensively to make them fresh and interesting. It only uses these new sound sources and does not recycle the stock ones in Omnisphere or any other set.
Omnisphere Virtaus has been designed to shine in scores for thrillers, drama, action and horror projects. The influences for this soundset are very eclectic — they include everything from Kaae & Batz (Bordertown) to Tyler Bates (John Wick) to Mark Korven (The Lighthouse).
Many patches in Omnisphere Virtaus use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Virtaus also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
IMPORTANT: This product requires the full version of Kontakt 6.5.2 or higher. It will not work with Kontakt Player.
OBLIQUE is a Kontakt instrument off the beaten path. A broken, haunting, sometimes terrifying yet an incredibly expressive cello instrument. This is most definitely not the instrument you want to create beautiful, epic, soaring melodies — it is a nasty beast, one that latches onto the dark corners of the mind and doesn’t let go.
We recorded master cellist Sonia Bruno taking her instrument to the absolute extremes, from the utmost pianissimo super sul tasto to the most brutal bowing we’ve ever heard, creating sheer insanity and aggression.
FEATURES
• 320 sound files at 24 bit / 48 kHz resolution in a compact 2 GB footprint • 9 cello articulations: Long Sul Tasto, Staccato, one whole step downwards Glissando, Glissando harmonics, Tremolo Glissando harmonics, Circular bowing, Crunches, Col Legno fortissimo and body taps as percussion elements. • Clean, intuitive and fast GUI
REQUIREMENTS
• Full version of Native Instruments’ Kontakt 6.5.2 or higher (OBLIQUEwon’t work with Kontakt Player) • MacOS 10.13 or higher, i5 CPU • Windows 7 or higher, i5 or equivalent CPU • Graphics hardware support for OpenGL 2.1 or higher • 6 GB RAM • 2.1 GB of free hard drive space
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Grotto is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It comes with 253 new sound sources, from real instrument recordings that have been lovingly brutalized through merciless editing and weird and crazy signal processing. It only uses these new sound sources and does not recycle the stock ones in Omnisphere or any other set.
The patches in Omnisphere Grotto are science experiments gone wrong, monstrous and machine-like, but in which you can still hear their organic origins and an expressiveness that competes with that of acoustic instruments. This is an aesthetic heavily inspired by the works of composers like Mica Levi, Hildur Guðnadóttir, Ben Frost and Mac Quayle. Omnisphere Grotto can really punch up and add tense grittiness to your crime, horror, thriller or dark drama scores.
Many patches in Omnisphere Grotto use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Grotto also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Please check the individual product pages for video walkthroughs. This bundle will change in size and price as we add more Zebra products to this store.
Zebra + HZ Nillertoq is a collection of 240 cinematic patches: all 120 patches from our Zebra Nillertoqsoundset, plus modified versions of those patches for ZebraHZ, a version of Zebra2 customized for legendary composer Hans Zimmer, which he used on his scores for The Dark Knight and The Dark Knight Rises.
Covering diverse cinematic styles like action, thriller and drama, Zebra Nillertoq was inspired by the works of composers like Stephen Barton (Apex Legends), Tom Holkenborg (White Lines), Ludwig Göransson (Tenet), Daniel Pemberton (Rising Phoenix) and Henry Jackman (The Falcon And The Winter Soldier).
Many patches in Zebra + HZ Nillertoq use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra + HZ Nillertoq also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra + HZ Nillertoq includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.
IMPORTANT: This product requires a licensed copy of Zebra2.
Zebra Nillertoq is a collection of 120 brand new cinematic patches for u-he's acclaimed Zebra2 synthesizer.
Covering diverse cinematic styles like action, thriller and drama, Zebra Nillertoq was inspired by the works of composers like Stephen Barton (Apex Legends), Tom Holkenborg (White Lines), Ludwig Göransson (Tenet), Daniel Pemberton (Rising Phoenix) and Henry Jackman (The Falcon And The Winter Soldier).
Many patches in Zebra Nillertoq use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra Nillertoq also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra Nillertoq includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Altura is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It comes with 251 new sound sources, including custom recordings with Meinl Cymbals' artist and session drummer Horacio París, as well as renowned session bassist Chalo Trejos.
This is not a happy soundset. Omnisphere Altura is as dark as it gets, with crushed, mangled, dirty patches that evoke tension, fear, anguish, desperation and hopelessness in spades. Inspired by the work of composers like Charlie Clouser ("American Horror Story"), Mick Gordon (“Doom Eternal”), the Newton brothers ("Extinction"), Colin Stetson ("Hereditary") and Mark Korven ("Them"), Omnisphere Altura provides you with plenty of sounds to make your horror, thriller, crime or dark drama score shine.
Many patches in Omnisphere Altura use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Altura also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra + HZ Spiegel is a collection of 240 cinematic patches: all 120 patches from our Zebra Spiegelsoundset, plus modified versions of those patches for ZebraHZ, a version of Zebra2 customized for legendary composer Hans Zimmer, which he used on his scores for The Dark Knight and The Dark Knight Rises.
Inspired by scores by Hildur Guðnadóttir (Sicario: Day of The Soldado), Jóhann Jóhannsson (Mandy), Tyler Bates (John Wick 2), and Trent Reznor & Atticus Ross (Waves), Zebra Spiegel covers a diverse range of styles within the thriller, action, horror and drama realms of cinematic composition.
Many patches in Zebra + HZ Spiegel use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra + HZ Spiegel also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra + HZ Spiegel includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.
IMPORTANT: This product requires a licensed copy of Zebra2.
Zebra Spiegel is a collection of 120 brand new cinematic patches for u-he's acclaimed Zebra2 synthesizer.
Inspired by scores by Hildur Guðnadóttir (Sicario: Day of the Soldado), Jóhann Jóhannsson (Mandy), Tyler Bates (John Wick 2) and Trent Reznor & Atticus Ross (Waves), Zebra Spiegel covers a diverse range of styles within the thriller, action, horror and drama realms of cinematic composition.
Many patches in Zebra Spiegel use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra Spiegel also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra Spiegel includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.
IMPORTANT: This product requires a licensed copy of Knifonium.
Knifonium Kuuma is a collection of 100 brand new cinematic patches for Plugin Alliance's software version of KNIF Audio's Knifonium tube monophonic synthesizer.
Knifonium Kuuma's patches take full advantage of the tube circuitry emulation of the hardware unit painstakingly developed by its creator, Jonte Knif. They feel incredibly organic and rich—you can almost picture the bright hot tubes saturating the sound and bringing out the smooth harmonics that legendary amplifiers are known for. This unique sonic warmth is represented in this collection's title: 'Kuuma' means 'hot' in Finnish.
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Grafos is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It includes 74 new sound sources.
The music scores of film composers such as Steven Price (Gravity, Archive), Junkie XL (Tomb Raider, Deadpool), David Martijn (War of the Worlds), and Ben Salisbury & Geoff Barrow (Annihilation, Ex Machina) inspire Omnisphere Grafos' patches, which span several emotional styles. From gripping sci-fi thriller tension, to dystopian drama, to frantic life-or-death action, this soundset covers plenty of gritty cinematic ground.
Many patches in Omnisphere Grafos use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Grafos also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.
Omnisphere Irazu is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 hybrid synthesizer. It includes 109 new sound sources.
Inspired by music scores from composers such as Hans Zimmer (X-Men: Dark Phoenix), Ramin Djawadi (Westworld), Ólafur Arnalds (Broadchurch), Stephen Barton (Titanfall 2) and Hildur Guðnadóttir (Chernobyl), Omnisphere Irazu covers everything from tense thriller arps to blockbuster action bass lines to unnerving, eerie soundscapes.
Many patches in Omnisphere Irazu use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Irazu also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra + HZ Kuroshio is a collection of 240 cinematic patches: all 120 patches from our Zebra Kuroshio soundset, plus modified versions of those patches for ZebraHZ, a version of Zebra2 customized for legendary composer Hans Zimmer, which he used on his scores for The Dark Knight and The Dark Knight Rises.
Drawing inspiration from the work of composers like Tyler Bates (John Wick), Kaae & Batz (Bordertown), John Powell (Jason Bourne) and Trent Reznor & Atticus Ross (Watchmen), Zebra Kuroshio's patches range from high-octane action to scandi noir drama to visceral psychological horror.
Many patches in Zebra + HZ Kuroshio use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra + HZ Kuroshio also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra + HZ Kuroshio includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.
IMPORTANT: This product requires a licensed copy of Zebra2.
Zebra Kuroshio is a collection of 120 brand new cinematic patches for u-he's acclaimed Zebra2 synthesizer.
Drawing inspiration from the work of composers like Tyler Bates (John Wick), Kaae & Batz (Bordertown), Hans Zimmer (Dunkirk), John Powell (Jason Bourne) and Trent Reznor & Atticus Ross (Watchmen), Zebra Kuroshio's patches range from high-octane action to scandi noir drama to visceral psychological horror.
Many patches in Zebra Kuroshio use multiple Zebra lanes, so you can mute the lanes you don't need if a patch is too busy for your purposes, or if you just want to use the sound in a particular lane. Zebra Kuroshio also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.
Zebra Kuroshio includes NKSF versions of all its patches, with the proper tags for NKS devices. They do not have audio previews, though.