MOBILIS: HYBRID SCORING PERCUSSION

"These are the kind of loops you'd absolutely kill for." - Pete Checkley for Sample Library Review
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THE VERY LOUD INDEED CO. AND APEX LEGENDS

We're crafting bespoke sounds for composer Stephen Barton's score for the insanely popular video game from EA and Respawn Studios
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Save over 25% when purchasing our
Everything So Far Bundle

Which includes all of our current products
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OUR MISSION

is to provide exceptional-quality soundsets and sample libraries for composers worldwide. Whether you need a commercial product or a bespoke solution, we pride ourselves in making every sound fresh and inspiring.

EVERYTHING SO FAR BUNDLE

EVERYTHING SO FAR BUNDLE

$255.00
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IMPORTANT: This bundle requires licensed copies of Kontakt 6.5.2 (full version), Omnisphere 2.6, Zebra2, The Dark Zebra and Knifonium.

*** MOBILIS requires the full version of Kontakt 6.5.2 and it will not work with Kontakt Player ***

The Everything So Far Bundle contains every product in our current lineup: MOBILIS: Hybrid Scoring Percussion, Omnisphere Irazu, Omnisphere Grafos, Omnisphere Altura, Omnisphere Grotto, Zebra + HZ Kuroshio, Zebra + HZ Spiegel , Zebra + HZ Nillertoq and Knifonium Kuuma.

Containing 1300 synth patches and 728 cinematic percussion sound loops and single hits in total, the Everything So Far Bundle has all you need to score an action, thriller, horror or dark drama project.

Please check the individual product pages for demo tracks and video walkthroughs.

MOBILIS: HYBRID SCORING PERCUSSION
MOBILIS: HYBRID SCORING PERCUSSION
MOBILIS: HYBRID SCORING PERCUSSION
MOBILIS: HYBRID SCORING PERCUSSION

MOBILIS: HYBRID SCORING PERCUSSION

$79.00
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IMPORTANT: This product requires the full version of Kontakt 6.5.2 or higher. It will not work with Kontakt Player. 

MOBILIS is a Kontakt instrument envisioned with speed and power in mind. This instrument is about having a large number of simple but carefully crafted percussion loops and single hits that:

• have been specifically designed to be stackable for maximum versatility
• can be accessed instantly without interrupting your creative workflow
• and have been made extremely dynamic to adapt to almost any type of cinematic composition.

FEATURES

• 728 sound files at 24 bit / 48 kHz resolution in a compact ~1 GB footprint
• Highly dynamic tempo-synced loops and single hits
• Single hit versions of all the loops are easily accessible via the mod wheel (CC1), to be used as endings or as building blocks to create your own rhythms in your DAW
• All sounds can be accessed with a 61-key (or larger) MIDI controller without touching the GUI or shifting octaves, by keyswitching sound banks
• Clean GUI with quick visual confirmation of which Bank and which type of sound (loops or single hits) are currently active
• All WAV files are included, so you can use them in your DAW or other samplers

REQUIREMENTS

• Full version of Native Instruments’ Kontakt 6.5.2 or higher (MOBILIS won’t work with Kontakt Player)
• MacOS 10.13 or higher, i5 CPU
• Windows 7 or higher, i5 or equivalent CPU
• Graphics hardware support for OpenGL 2.1 or higher
• 6 GB RAM
• 1.1 GB of free hard drive space

MOBILIS DEMO TRACKS

MOBILIS WALKTHROUGH

OMNISPHERE BUNDLE

OMNISPHERE BUNDLE

$87.00
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IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.

The Omnisphere Bundle contains Omnisphere Grotto, Omnisphere Altura, Omnisphere Irazu and Omnisphere Grafos, for a total of 480 patches.

Please check the individual product pages for video walkthroughs. This bundle will change in size and price as we add more Omnisphere products to this store.

OMNISPHERE BUNDLE DEMO TRACKS

OMNISPHERE GROTTO

OMNISPHERE GROTTO

$29.00
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IMPORTANT: This product requires a licensed copy of Omnisphere 2.6.

Omnisphere Grotto is a collection of 120 brand new cinematic patches for Spectrasonics' Omnisphere 2.6 synthesizer. It comes with 253 new sound sources, from real instrument recordings that have been lovingly brutalized through merciless editing and weird and crazy signal processing. It only uses these new sound sources and does not recycle the stock ones in Omnisphere or any other set.

The patches in Omnisphere Grotto are science experiments gone wrong, monstrous and machine-like, but in which you can still hear their organic origins and an expressiveness that competes with that of acoustic instruments. This is an aesthetic heavily inspired by the works of composers like Mica Levi, Hildur Guðnadóttir, Ben Frost and Mac Quayle. Omnisphere Grotto can really punch up and add tense grittiness to your crime, horror, thriller or dark drama scores.

Many patches in Omnisphere Grotto use multiple layers, so you can mute the layers you don't need if a patch is too busy for your purposes, or if you just want to use a particular layer. Omnisphere Grotto also makes extensive use of the modulation wheel. In many cases, it may completely change the patch into something totally different, so we encourage you to have fun with it.

OMNISPHERE GROTTO DEMO TRACKS

OMNISPHERE GROTTO WALKTHROUGH

ZEBRA BUNDLE

ZEBRA BUNDLE

$87.00
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IMPORTANT: This product requires licensed copies of Zebra2 and ZebraHZ.

The Zebra Bundle contains Zebra + HZ Nillertoq, Zebra + HZ Spiegel and Zebra + HZ Kuroshio, for a total of 720 patches.

Please check the individual product pages for video walkthroughs. This bundle will change in size and price as we add more Zebra products to this store.

ZEBRA BUNDLE DEMO TRACKS

BESPOKE SOUNDS

Make your music stand out even more. We can craft unique sounds for your project, tailored to your precise specifications.

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WHAT ARTISTS SAY ABOUT OUR PRODUCTS

I love exploring the Very Loud Indeed Co. libraries. The ratio of useable sounds as opposed to filler is extraordinarily high compared to most libraries. So inventive with such a rich organic quality. I will definitely be getting lots of use out of them in my film scores."

MARK KORVEN (The VVitch: A New England Folk Tale, The Lighthouse, THEM, In The Tall Grass)

These sounds kick ass. Exhilaratingly musical, inspiring, inventive, and deeply useful. Cannot recommend them enough."

STEPHEN BARTON (Apex Legends, Star Wars Jedi: Fallen Order, Titanfall videogame franchise, Watch Dogs Legion)

There's some really spooky and aggressive tones in the patch collections from The Very Loud Indeed Company. Their Omnisphere banks have some evil, dark, compelling patches, and they've got some very cool stuff for the Knifonium and Zebra as well. Nice stuff indeed from Very Loud Indeed."

CHARLIE CLOUSER (NIN, Saw film franchise, American Horror Story, Wayward Pines, Resident Evil: Extinction)

Zebra Kuroshio is really great! As a composer I like to find samples that 1) contain high quality sound design, 2) evoke inspiration, 3) have original and surprising elements and 4) elevate my music to new heights, adding a strong layer of excitement. This library achieves it all and then some! I also like that it is very user friendly and easily manipulated to my needs. All in all – highly recommended!!"

INON ZUR (Fallout videogame franchise, Dragon Age videogame franchise, The Elder Scrolls: Blades, Prince of Persia)

Synthesized and sound designed sounds evolve so fast in the music industry. Only the best and fresh approaches to sound design in synths are able to inspire you to the point of influencing your own writing. This is what Richie Nieto and The Very Loud Indeed Co. are doing to my work."

PEDRO MACEDO CAMACHO (World of Warcraft: Shadowlands, Star Citizen, Wolfenstein II: The New Colossus)

The software synth landscape is full of sound sets. So many fall short of conveying what the synth they’re designed for is capable of and fail to excite or inspire. Richie Nieto and The Very Loud Indeed Co. are changing the sonic landscape, crafting new sound sets that excite and inspire and are as deep and visceral as they are playable and musical. I’m looking forward to putting these gems to use in my music.”

KAVEH COHEN (Forza Motorsport videogame franchise, League of Legends, Splinter Cell videogame franchise, Wolverine and the X-Men)

I was completely elated when I first started browsing through these new sounds from Very Loud Indeed as I kept finding gem after gem. From arps to loops to pads and leads, I found myself marking so many patches as “favourites” because sound after sound seemed so useful and playable. I began to get inspired right away and in my mind, what more could you ask for from a sound library?"

ARI POSNER (Anne With An E, Flashpoint, Northern Rescue, After The Ball, Carter)

I love these sound sets! The Very Loud Indeed Co. has created some amazing, unique and eminently versatile sounds for film and television scoring.  It’s some of the best sounding stuff out there and every patch inspires me with a new idea or theme."

STEVE LONDON (Born To Be Blue, Stockholm, Chau, Beyond The Lines, The Ripping Friends)

I am really impressed by the attention to detail found in each of these sound sets. They have quickly become a staple of inspiration within my current workflow and template—the compositions are writing themselves. The Very Loud Indeed Co. libraries are a must-have for any aspiring composer desiring to work in film, TV and video games—they just work."

JOHNNY LUCAS (Cirque Du Soleil, Elegy, Miracle Fly)